1620-1691
Dutch
Aelbert Cuyp Locations
Painter and draughtsman, son of Jacob Cuyp. One of the most important landscape painters of 17th-century Netherlands, he combined a wide range of sources and influences, most notably in the application of lighting effects derived from Italianate painting to typical Dutch subjects. Such traditional themes as townscapes, winter scenes, cattle pieces and equestrian portraits were stylistically transformed and given new grandeur. Aelbert was virtually unknown outside his native town, and his influence in the 17th century was negligible. He became popular in the late 18th century, especially in England. Related Paintings of Aelbert Cuyp :. | The Negro Page circa | bergigt landskap | Hafen von Dordrecht | Sunset near Dordrecht. | Ruhepause im Lager | Related Artists:
BOCCACCINO, BoccaccioItalian painter, Cremonese school (b. before 1466, Ferrara, d. 1524/25, Cremona)
He is first recorded in 1493 in Genoa, where he contracted to paint the high altarpiece (untraced) for S Maria della Consolazione. In 1497 he was extracted from prison in Milan by the agent of Ercole I d'Este, Duke of Ferrara, and worked for the Duke in Ferrara until 1500. Perhaps as a consequence of having killed his common-law wife he then left, presumably for Venice, where he is recorded as residing in 1505. A fresco in Cremona Cathedral is dated 1506.
Willem Eversdijckthe son of Cornelis Eversdijck, flourished at Goes about the year 1660. He was a portrait painter, and several of his portraits were engraved by Houbraken. A picture of Officers and Members of the Company of Archers, called " Edele Voetboog," at Goes, by him, is in the Rotterdam Museum.
Cornelis Willemsz Eversdijck, his father, was also a portrait painter of Goes, who died there in 1649. In the Rotterdam Museum are three pictures by him, representing Officers and Members of the Company of Archers, called "Edele Voetboog," at Goes; two of which are dated 1616 and 1624.
Carlo Innocenzo Carlone(1686-1775) was an Italian painter and engraver, active especially in Germany.
He was a native of Scaria, near Como, in Lombardy, but may have been from the Carloni family of Genoese painters. He was the son of a sculptor, but he preferred painting, and was placed under the care of Giulio Quaglio. He afterwards studied at Venice and at Rome, until he was 23 years of age, when he visited Germany, where he has left works in oil and in fresco at Ludwigsburg, Passau, Linz, Breslau, Prague, and Vienna.
He painted large decorative fresco cycles for palaces in Vienna, Prague and Southern Germany. For example, Carlone is known for painting the ceiling images in the Upper Belvedere of the Belvedere palace complex. His The Glorification of Saints Felix and Adauctus (1759-61) was commissioned for the cupola of the church of San Felice del Benaco on Lake Garda. He died at Como.